Martial industrial

Martial industrial

Tuesday, 11 December 2018
genres and subgenres

Die Weisse Rose

Martial industrial is a syncretic offshoot of industrial music characterized by noise, dark ambient atmospheres, neofolk melodies, dark wave tunes and neoclassical orchestrations as well as the incorporation of audio from military marches, historical speeches and political, apolitical or metapolitical lyrics. Unlike other post-industrial genres, martial industrial is typically interested more in a particular worldview or philosophy than pure experimentalism.


Laibach were one of the first bands to incorporate military marches in their industrial music and display politically provocative aesthetics. Boyd Rice and Douglas P., the noise and neofolk pioneers, respectively, adopted such attitude at several occasions to its extreme. Allerseelen, either through ritual hymns or alchemical folklore followed in the same vein. Similarly militant but less provocative and more esoteric were the heroic choral outputs of ACTUS. Les Joyaux de la Princesse developed the genre further, offering a particularly mesmerizing style of dark ambient intermingled with historical samples, speeches and interbellum chansons. The Moon Lay Hidden Beneath a Cloud / Der Blutharsch enriched this tradition, adding darkwave medieval melodies to the mix. Finally, In Slaughter Natives and Puissance expanded the genre towards orchestral and neoclassical paths, respectively.


The term ‘Martial’ does not necessarily refer only to military drumming but in general to ominous/dramatic atmospheres and a particular

Blood Axis

thematology, style, aesthetics and Weltanschauung. Similarly, the term ‘industrial’ does not denote only old-school industrial music, but rather the broad spectrum of post-industrial scene (from neofolk acoustics to harsh noise). Thus, sonically diverse bands like Genocide Organ (power electronics), Oda Relicta (sacral), Stahlwerk 9 (industrial), N.K.V.D. (industrial black metal), Die Weisse Rose (darkwave), Axon Neuron/Vagwa (dark ambient), Feindflug (EBM), Gae Bolg and the Church of Fand (medieval), H.E.R.R. (neoclassical) and Scivias (neofolk) can all be grouped under the umbrella of ‘martial industrial’.
Martial industrial music frequently uses imagery related to war, totalitarian regimes, European nationalism, military displays, and political mass gatherings – contexts, in short, where the individual is subsumed by history and the mass will. A range of philosophical, political, or religious themes with an illiberal, anti-cosmopolitan, and anti-egalitarian bias predominate, such as Friedrich Nietzsche’s Overman, Oswald Spengler’s pessimistic vision of Western decline, Mircea Eliade’s theories about sacred practice and symbolism, René Guénon’s writings on the “spiritual degeneration” of the West, Ernst Jünger’s ideas about the renewing power of war and adversity, Julius Evola’s reactionaryapoliteia and mysticism, Nazi mysticism, and pre-Christian paganism.

Dernière Volonté

Martial industrial is produced world-wide. However, the scene is particularly strong in Germany, Hungary, France, Italy, Poland and Russia.

Accusations of fascism

Some bands (Von Thronstahl) openly declare fascistic ideology, while others (Kraschau) favor monarchism or Falangism but some others (Militia) are eco-anarchists. Some explore the erotic dimension of history and fascistic aesthetics (Ordo Rosarius Equilibrio). Occasionally martial industrial artists (Skrol) do not even touch historical/political issues. Other bands that touch such issues and use politically incorrect imagery (Turbund Sturmwerk) refuse to disclose their real convictions.



A Challenge of Honour
Blood Axis
Boyd Rice (NON)
Dead Man’s Hill
Death In June
Der Blutharsch
Dernière Volonté
Die Weisse Rose
Hieronymus Bosch
In the Nursery
Karjalan sissit
Kreuzweg Ost
Les Joyaux De La Princesse
Ordo Rosarius Equilibrio
Regard Extrême
Sol Invictus
Test Dept
The Moon Lay Hidden Beneath a Cloud
Triangular Ascension
Von Thronstahl

Associated Shows:

Article Sources & Media

Document :

Background Video : Laibach – The Whistleblowers


Comments are closed.